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#elyose

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Angry Metal Guy<p><a href="https://www.angrymetalguy.com/elyose-evidence-review/" rel="nofollow noopener noreferrer" target="_blank">Elyose – Évidence Review</a></p><p><i>By Dolphin Whisperer</i></p><p>Being true to yourself as a listener is an essential part of the reviewing process. So, at a very base level, I can say things like “I’m tired of hearing djent riffs” and “pop-infused metal doesn’t do anything for me.” And, at my core, I can know those things are true. Except, every now and again, well-crafted music comes along and bashes upon our truths like a <em>coup de foudre</em> to an unsuspecting heart. Such was the case when I encountered <strong>Elyose</strong>’s hook-laden, djentrified y2k platter of <a href="https://www.angrymetalguy.com/elyose-deviante-review/" rel="nofollow noopener noreferrer" target="_blank"><em>Déviante</em></a>. And so too am I again smitten with the chug-ridden, cybergoth stylings of <em>Évidence</em>. The proof, as they say, is in the purple pudding.</p><p>Though incepted as a fuller band effort with the heart of an electronically urgent, less symphonic <strong>Nightwish</strong> or <strong>Epica</strong>, <strong>Elyose</strong> now falls under the primary care of vocalist and composer Justine Daaé. With collaborative assistance from djent veteran Anthony Chognard (ex-<strong>Smash Hit Combo</strong>), <strong>Elyose</strong> has shifted from pop heavy metal-rooted hop to a sound more Kemper-fied and modern. But unlike other popular female-voiced acts who sport a melodic focus around extended range rhythms, like <strong>Spiritbox</strong> or <strong>Poppy</strong>, Daaé sticks to the power of her full and trained clean timbre, finding vocal play in lush harmonies and playful percussive runs.1 Maintaining <em>Évidence</em> in almost entirely her native French tongue, Daaé brings both an earnestness and extra depth of pronunciation expression to each passing phrase.2 Though <em>Évidence</em> has an undeniable musical catchiness and air of accessibility, its bones remain too personal in aim and adoration for an industrial/alternative past, and too metal in dramatic spirit, to land neatly in a pop lane.</p><p>Despite the layers that Daaé peppers into triumphant choruses and textured verse articulations, Chognard maintains a workmanlike framing with riff accompaniment to build rhythmic tension around hypnotic synth lines. On the most electronic leading tracks, <strong>Elyose</strong>’s warbling hooks grow from subdued fluctuations to whirring guitar squeals to strobe-blaring crescendo with a cinematic scope and effortless swagger (“Mission Lunaire,” “Théogyne 2.0”). And in a manner reminiscent of the smart and slamming groove from the most successful <a href="https://www.angrymetalguy.com/vola-witness-review/" rel="nofollow noopener noreferrer" target="_blank"><strong>VOLA</strong></a> <a href="https://www.angrymetalguy.com/56270-2/" rel="nofollow noopener noreferrer" target="_blank">works</a>, Chognard weaves jagged thumps alongside powerful, character-driven vocal tethers to sink <em>Évidence</em>’s teeth even deeper into the urge to hit the replay button (“Ascension Tracée,” “Immuable,” “Abnégation”). Out of context, bits and pieces of the modern guitar work can feel like patchwork memories from a mind informed by ’10s djent memories, but in context it maintains a careful balance with Daaé’s unique presence.</p><p></p><p>That familiarity of riffcraft does hold <strong>Elyose</strong> from striking harder throughout parts of <em>Évidence</em>, though. It’s less the note-for-note <em>déjà vu</em> of a nasally amp-simulated tapping run or a seven-string <strong>Periphery </strong>preset note crushing than it is the overall flatness of guitar production that takes away some of the mystique that classic crunchy layer can offer. Again, many of these clips that offend in this way serve as short segues or setups for Daaé to mark with greater lasting power the peaks of each composition. And a few licks that warp and chime alongside intense bridges hold a particularly nostalgic resplendence in their carry (“Étoile Solitaire,” “Ascension Tracée”). But for a couple of tracks that follow patterns on a similar path (namely “Tentatives Échouées” and “Prête au Combat”), the escalating flow that pervades through <em>Évidence</em> can lose its way.</p><p>Not all pleasures in life have to be complicated, yet it would be disingenuous to call <em>Évidence</em> simple. While the formula for <em>Évidence</em> hasn’t changed much from <em>Déviante</em>, <strong>Elyose</strong> continues to perform with an idiosyncratic style rooted in detailed, memorable mic work and addictive, groovy instrumental backing that is hard to put down. There’s no secret to <strong>Elyose</strong>’s success—every song shoves an undeniable chorus through the trials of verses and bridges and reprisals that fall exactly where they should. But<em> Évidence </em>powers through the complacency of chorus worship with a voice determined to soar. The only feeling that could make the joy of <strong>Elyose</strong>’s music more rewarding is perseverance, a feeling which <em>Évidence</em><em> </em>embodies with a glitching and gliding charisma and a catharsis-clenched fist held high.</p><p></p> <p><strong>Rating</strong>: 3.5/5.0<em><br></em><strong>DR</strong>: 6 | <strong>Format Reviewed</strong>: PCM3<br><strong>Label</strong>: Self Release<br><strong>Websites</strong>: <a href="https://www.elyosemusic.com/" rel="nofollow noopener noreferrer" target="_blank">elyosemusic.com</a> | <a href="https://www.facebook.com/ElyoseOfficial/" rel="nofollow noopener noreferrer" target="_blank">facebook.com/elyoseofficial</a><br><strong>Releases Worldwide</strong>: January 10th, 2025</p><p>&nbsp;</p><p>&nbsp;</p> <p>Show 3 footnotes</p><ol><li> It’s not quite rapping, so hold your gag reflex, folks. There’s always <a href="https://tidal.com/browse/album/348058094?u" rel="nofollow noopener noreferrer" target="_blank"><strong>Reliqa</strong></a> for that. <span class="">↩</span></li><li> Closing track “Rise and Reclaim is in English. <span class="">↩</span></li><li> Thank you! <span class="">↩</span></li></ol> <p><a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/35/" target="_blank">#35</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/alternative-rock/" target="_blank">#AlternativeRock</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/djent/" target="_blank">#Djent</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/electronic-metal/" target="_blank">#ElectronicMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/electronica/" target="_blank">#Electronica</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/elyose/" target="_blank">#Elyose</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/evidence/" target="_blank">#Évidence</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/french-metal/" target="_blank">#FrenchMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/gothic-metal/" target="_blank">#GothicMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/independent-release/" target="_blank">#IndependentRelease</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jan25/" target="_blank">#Jan25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reliqa/" target="_blank">#Reliqa</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/self-release/" target="_blank">#SelfRelease</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vola/" target="_blank">#VOLA</a></p>
Mad Alex<p>Have a nice weekend world! 🤘 </p><p><a href="https://fosstodon.org/tags/Metal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Metal</span></a> <a href="https://fosstodon.org/tags/FemaleFrontedMetal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FemaleFrontedMetal</span></a> <a href="https://fosstodon.org/tags/Elyose" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Elyose</span></a> </p><p><a href="https://www.youtube.com/watch?v=UGLQ0Xi8_Bg" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=UGLQ0Xi8_B</span><span class="invisible">g</span></a></p>
Mad Alex<p>It's vendredi noir - enjoy!</p><p><a href="https://fosstodon.org/tags/Metal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Metal</span></a> <a href="https://fosstodon.org/tags/FemaleFrontedMetal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FemaleFrontedMetal</span></a> <a href="https://fosstodon.org/tags/Elyose" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Elyose</span></a> </p><p><a href="https://www.youtube.com/watch?v=UHQPzSkUQWE" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=UHQPzSkUQW</span><span class="invisible">E</span></a></p>