Angry Metal Guy<p><a href="https://www.angrymetalguy.com/blind-equation-a-funeral-in-purgatory-review/" rel="nofollow noopener" target="_blank">Blind Equation – A Funeral in Purgatory Review</a></p><p><i>By Kenstrosity</i></p><p>When I reach for something blindly, I hope for the best. As it pertains to the acquisition of promo, I calculate my chances of enjoying whatever I select as little as possible. Impulse reigns supreme, instinct takes precedence, gut feelings have the final say. This process ultimately led me to Chicago, Illinois’ <strong>Blind Equation</strong>. Originally launched as a chiptune-heavy cybergrind project, mastermind and main songwriter James McHenry steadily integrated other influences that distinguish this material from that of the greater subset. With <em>A Funeral in Purgatory</em>, written in the midst of great anguish and struggle on McHenry’s side, <strong>Blind Equation</strong> create their heaviest, most brutal, and yet most vulnerable and earnest work to date.</p><p>Resembling acts like <strong>DEATHTRIPPA</strong>, <strong>Blind Equation</strong>’s current iteration diversifies its palette with elements of goth and emo, death and doom, synthwave, and melodic black metal. To these ears, those attributes recall everything from <strong>AFI</strong>, <a href="https://www.angrymetalguy.com/fires-in-the-distance-air-not-meant-for-us-review/" rel="nofollow noopener" target="_blank"><strong>Fires in the Distance</strong></a>, <a href="https://www.angrymetalguy.com/silhouette-les-dires-de-lame-review/" rel="nofollow noopener" target="_blank"><strong>Silhouette</strong></a>, <strong>Gunship</strong>, and <a href="https://www.angrymetalguy.com/labyrinthus-stellarum-rift-in-reality-review/" rel="nofollow noopener" target="_blank"><strong>Labyrinthus Stellarum</strong></a>. Depressive tones and desperate wails reminiscent of <a href="https://www.angrymetalguy.com/ghost-bath-starmourner-review/" rel="nofollow noopener" target="_blank"><strong>Ghost Bath</strong></a> or <a href="https://www.angrymetalguy.com/acathexis-immerse-review/" rel="nofollow noopener" target="_blank"><strong>Acathexis</strong></a> also meld beautifully with a hopeful atmospheric counterpoint—a reflection of McHenry’s use of songwriting as a mechanism for catharsis and healing during his darkest moments during <em>A Funeral in Purgatory</em>’s development. Brutal outbursts reminiscent of <a href="https://www.angrymetalguy.com/anaal-nathrakh-endarkenment-review/" rel="nofollow noopener" target="_blank"><strong>Anaal Nathrakh</strong></a> or <a href="https://www.angrymetalguy.com/igorrr-savage-sinusoid-review/" rel="nofollow noopener" target="_blank"><strong>Igorrr</strong></a>, and the occasional deathcore gravity blast, provide an additional dynamic that brings immense metallic heft to an affair that, to my knowledge, doesn’t utilize a single guitar. Unified, these myriad characteristics coalesce into something stylistically unique, instrumentally fascinating, and emotionally compelling.</p><p></p><p>More importantly, <em>A Funeral in Purgatory</em> is an absolute joy to experience. With contrasting numbers as divergent as my personal favorites, the blisteringly fast and exuberant “Flashback (ft. <strong>Strawberry Hospital</strong>)” and <em>beautiful</em> death doom closer “Incomplete,” you might expect <em>A Funeral in Purgatory</em> to be disjointed and haphazard. But the opposite is true. <strong>Blind Equation</strong>’s masterful, meticulous detailing brings unity and adhesion to the record, such that when I hear the eviscerating brutality of “… in Purgatory” juxtaposed against the vibrant gallop of “Flashback,” or the goth-soaked “Nothing” against the metalcore-breakcore mashup “it feels like the end (ft. <strong>JOHNNASCUS</strong>),” it feels natural and invigorating. An increased presence of slower, more dramatic passages in “A Funeral… ” and “Relinquished Dreams” allows <strong>Blind Equation</strong>’s heart-wrenching roars and introspective tones to shine through as the brilliant light of higher-pitched synths and chips fade, enhancing what are already compelling songs by creating deeper valleys and taller peaks. Ultimately, this approach to songwriting permitted me very little opportunity to correctly predict what happened next, while still capturing my attention so completely that with each new song I was ready, almost desperate, for the next twist to whip me into another dimension.</p><p></p><p>However, not all dimensions are created equal, and there are a couple here that don’t quite reach the same echelon as <strong>Blind Equation</strong>’s best. First and foremost are the interludes, “⁺‧₊˚ ཐི⋆✟⋆ཋྀ ˚₊‧⁺” and “still.” Musically, they are pretty and offer plenty of emotion, but don’t add enough to the storytelling to feel essential to the overall experience. I could argue the former brings novelty to the split title tracks “A Funeral… ” and “… in Purgatory,” but the requisite connective tissue is flimsy all the same. In a similar manner, “mourn” is somewhat lackluster compared to its album mates. This could be an unfortunate circumstance brought about by its barebones instrumentation, which is a stark departure from everything presented over the previous seven tracks. It could also be that its core ideas feel a touch underdeveloped by comparison. Either way, it represents one of <em>A Funeral in Purgatory</em>’s minor weak points. While in no way a detractor on their own merit, <strong>Blind Equation</strong>’s <strong>AFI</strong>-esque clean vocals, which only feature in the first three tracks, would bring even greater cohesion to the whole if they featured more consistently throughout.</p><p>It goes without saying that I didn’t expect what <strong>Blind Equation</strong> delivered, nor did I expect to like it this much. At the same time, I really shouldn’t be surprised at all, considering nearly all of my favorite records this year have been wild and unorthodox. <em>A Funeral in Purgatory</em> represents another entry in that varied category, of which there is no doubt. But it’s also one of the most fun and engaging electronic music releases I’ve encountered this year. So if you don’t mind your metal chipped to oblivion, laced with ecstasy, dressed in all black, with a raven perched on its shoulder, then <em>A Funeral in Purgatory</em> might just be your poison.</p> <p><strong>Rating:</strong> <em>Very</em> Good!<br><strong>DR:</strong> 8 | <strong>Format Reviewed:</strong> 256 kbps mp3<br><strong>Label:</strong> <a href="http://prostheticrecords.com/" rel="nofollow noopener" target="_blank">Prosthetic Records</a><br><strong>Websites:</strong> <a href="http://blindequation.bandcamp.com/album/a-funeral-in-purgatory" rel="nofollow noopener" target="_blank">blindequation.bandcamp.com/album</a> | <a href="http://facebook.com/BlindEquation" rel="nofollow noopener" target="_blank">facebook.com/blindequation</a><br><strong>Releases Worldwide:</strong> July 18th, 2025</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag 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