thkampen<p>Eine wuchtige <a href="https://mastodon.social/tags/Oper" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Oper</span></a> über ein einsames Ende bekam FAZ-Kritiker Hans-Christian Rößler im Gran Teatre del Liceu in <a href="https://mastodon.social/tags/Barcelona" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Barcelona</span></a> zu sehen. Antoni Ros-Marbàs hat das Schicksal Walter <a href="https://mastodon.social/tags/Benjamin" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Benjamin</span></a> s, der sich auf der <a href="https://mastodon.social/tags/Flucht" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Flucht</span></a> vor den Nazis im spanischen Hafenort Port-Bou das Leben nahm<br><a href="https://www.perlentaucher.de/efeu/2025-07-31.html" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">perlentaucher.de/efeu/2025-07-</span><span class="invisible">31.html</span></a> <br><a href="https://mastodon.social/tags/WalterBenjamin" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WalterBenjamin</span></a> <a href="https://mastodon.social/tags/Emigration" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Emigration</span></a> <a href="https://mastodon.social/tags/Exile" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Exile</span></a> <a href="https://mastodon.social/tags/France" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>France</span></a> <a href="https://mastodon.social/tags/Spain" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Spain</span></a> <a href="https://mastodon.social/tags/Opera" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Opera</span></a></p>