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#groupportraits
Guests at the Bouvier-Kennedy wedding reception, being entertained by musicians [1953 Sept. 12]
1 photographic print : gelatin silver.
#gelatinsilverprints #receptions #weddings #portraitphotographs #rhodeisland #newport #groupportraits
Bouvier-Kennedy wedding portrait [1953 Sept. 12]
1 photographic print : gelatin silver. | John Kennedy and Jackie Bouvier, in wedding attire, standing outdoors.
#Bouvier-Kennedy #JohnKennedy #JackieBouvier #OpenAI #onassis #jacquelinekennedy #weddings #gelatinsilverprints #johnfitzgerald) #marriage #kennedy #johnf #groupportraits #portraitphotographs
Kennedy wedding--close-up portrait of Kennedy family with couple [1953 Sept. 12]
1 photographic print.
#Kennedy #third #portraitphotographs #families #photographicprints #weddings #johnfitzgerald) #marriage #kennedy #johnf #groupportraits
Jackie Bouvier and Jack Kennedy, in wedding attire, with members of the wedding party [1953 Sept. 12]
1 photographic print : gelatin silver.
#JackieBouvier #JackKennedy #onassis #jacquelinekennedy #weddings #gelatinsilverprints #rhodeisland #johnfitzgerald) #newport #marriage #kennedy #johnf #groupportraits #portraitphotographs
Jackie Bouvier Kennedy and John F. Kennedy, in wedding attire, with members of the wedding party [Sept. 12 1953]
1 photograph : nitrate negative.
#JohnFKennedy #onassis #jacquelinekennedy #weddings #portraitphotographs #rhodeisland #newport #nitratenegatives #marriage #(johnfitzgerald) #kennedy #johnf #groupportraits
Jackie Bouvier Kennedy and John F. Kennedy cutting the cake at their wedding, September 12, 1953, Newport, Rhode Island [Sept. 12 1953]
1 photograph : nitrate negative.
#JohnFKennedy #Newport #RhodeIsland #JackieBouvier #American #first #irishamericans #onassis #jacquelinekennedy #weddings #cakes #rhodeisland #johnfitzgerald) #newport #nitratenegatives #marriage #kennedy #johnf #groupportraits #portraitphotographs
![The image is a black and white photograph depicting the moment of John F. Kennedy, then known as "Jackie Bouvier," cutting their wedding cake with her husband-to-be at his side during their September 12, 1953 marriage in Newport, Rhode Island. They are standing outside among lush green foliage which serves as a backdrop for this joyous occasion.
The bride is dressed elegantly in what appears to be a strapless white dress adorned with lace and sequins or beads along the neckline and bodice, suggesting an elaborate yet simple design suitable for such a significant event. Her wedding veil adds elegance to her overall look; she smiles down at the cake while holding it steady.
Her groom is dressed formally in his dark suit complemented by a crisp white dress shirt and tie. A boutonniere of pink roses adorns his lapel, coordinating with what could be expected for such an occasion. He sports a wide smile as he looks up towards her, sharing the moment with evident happiness.
The wedding cake is multi-tiered, adorned with intricate lace or doily patterns on its sides and topped with delicate white flowers, likely roses given their historical association with weddings in American culture due to their symbolism of love. It sits atop an ornate table draped with a sheer cloth that reveals glimpses of floral arrangements at the base.
Behind them stands a group of guests, including children who add a touch of youthful exuberance to [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/379/391/262/407/941/original/bd21be76b6c22b73.jpeg "The image is a black and white photograph depicting the moment of John F. Kennedy, then known as \"Jackie Bouvier,\" cutting their wedding cake with her husband-to-be at his side during their September 12, 1953 marriage in Newport, Rhode Island. They are standing outside among lush green foliage which serves as a backdrop for this joyous occasion.
The bride is dressed elegantly in what appears to be a strapless white dress adorned with lace and sequins or beads along the neckline and bodice, suggesting an elaborate yet simple design suitable for such a significant event. Her wedding veil adds elegance to her overall look; she smiles down at the cake while holding it steady.
Her groom is dressed formally in his dark suit complemented by a crisp white dress shirt and tie. A boutonniere of pink roses adorns his lapel, coordinating with what could be expected for such an occasion. He sports a wide smile as he looks up towards her, sharing the moment with evident happiness.
The wedding cake is multi-tiered, adorned with intricate lace or doily patterns on its sides and topped with delicate white flowers, likely roses given their historical association with weddings in American culture due to their symbolism of love. It sits atop an ornate table draped with a sheer cloth that reveals glimpses of floral arrangements at the base.
Behind them stands a group of guests, including children who add a touch of youthful exuberance to [...]")
Tuskegee airman Edward C. Gleed, Lawrence, KS, Class 42-K, with an unidentified crewman adjusting an external seventy-five gallon drop tank on the wing of a P-5/D, "Creamer's Dream." Ramitelli, Italy, March 1945 [March 1945]
1 photograph : nitrate film negative; 120 medium format (roll film)
#Tuskegee #EdwardCGleed #Lawrence #seventy-fivegallon #CreamersDream #Ramitelli #Italy #WorldWarII #theTuskegeeAirmen #American #second #P-51/DMustang #RamitelliAirfield #filmnegatives #portraitphotographs #italy #people #airoperations #africanamericans #gleed #edwardc #unitedstates #american #armyairforces #edwardc #fighterpilots #worldwar #fightergroup #332nd #groupportraits
![The image depicts a moment from World War II, featuring two individuals in military attire. One person is standing upright and appears to be an aircrew member of the Tuskegee Airmen, identifiable by his uniform style and insignia that signifies American service during this period. He's equipped with aviator goggles atop his head and wears protective ear muffs. His jacket has multiple pockets filled with equipment, including what seems like a hand-held radio device.
The second individual is kneeling beside him on the ground, attending to an external seventy-five gallon drop tank attached beneath one of the wings of a military aircraft known as P-51/D Mustang named "Creamer's Dream." The crew member wears a protective leather jacket and gloves. His posture indicates active involvement in ensuring or inspecting equipment.
The plane has prominent insignias; 'CREAMER'S DREAM' is painted on its side, along with additional text that might be part of the unit identification markings. This scene likely takes place at Ramitelli Airfield in Italy during March 1945, as suggested by the caption and historical context.
The photograph appears aged, consistent with WWII-era black-and-white photography, possibly from nitrate film which was commonly used for such purposes but known to be highly flammable and prone to decay over time. The focus is on these two individuals and their immediate activity, capturing a snapshot of wartime avi [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/357/768/529/509/474/original/355710d026786f7c.jpeg "The image depicts a moment from World War II, featuring two individuals in military attire. One person is standing upright and appears to be an aircrew member of the Tuskegee Airmen, identifiable by his uniform style and insignia that signifies American service during this period. He's equipped with aviator goggles atop his head and wears protective ear muffs. His jacket has multiple pockets filled with equipment, including what seems like a hand-held radio device.
The second individual is kneeling beside him on the ground, attending to an external seventy-five gallon drop tank attached beneath one of the wings of a military aircraft known as P-51/D Mustang named \"Creamer's Dream.\" The crew member wears a protective leather jacket and gloves. His posture indicates active involvement in ensuring or inspecting equipment.
The plane has prominent insignias; 'CREAMER'S DREAM' is painted on its side, along with additional text that might be part of the unit identification markings. This scene likely takes place at Ramitelli Airfield in Italy during March 1945, as suggested by the caption and historical context.
The photograph appears aged, consistent with WWII-era black-and-white photography, possibly from nitrate film which was commonly used for such purposes but known to be highly flammable and prone to decay over time. The focus is on these two individuals and their immediate activity, capturing a snapshot of wartime avi [...]")
Toni Frissell Personal [between ca. 1940-1970]
1 photograph : color transparency ; 35 mm (slide format)
#ToniFrissell #gelatinsilverprints #families #family #portraitphotographs #groupportraits #parties #frissell #children
Toni Frissell Personal [between ca. 1940-1970]
1 photograph : color transparency ; 35 mm (slide format)
#ToniFrissell #gelatinsilverprints #families #family #portraitphotographs #groupportraits #parties #frissell #children
Toni Frissell Personal [between ca. 1940-1970]
1 photograph : color transparency ; 35 mm (slide format)
#ToniFrissell #second #gelatinsilverprints #families #family #portraitphotographs #groupportraits #parties #frissell #children
Toni Frissell Personal [between ca. 1940-1970]
1 photograph : color transparency ; 35 mm (slide format)
#ToniFrissell #gelatinsilverprints #families #family #portraitphotographs #groupportraits #parties #frissell #children
Toni Frissell Personal [between ca. 1940-1970]
1 photograph : color transparency ; 35 mm (slide format)
#ToniFrissell #gelatinsilverprints #families #family #portraitphotographs #groupportraits #parties #frissell #children
Toni Frissell Personal [between ca. 1940-1970]
1 photograph : color transparency ; 35 mm (slide format)
#ToniFrissell #gelatinsilverprints #families #family #portraitphotographs #groupportraits #parties #frissell #children
![The image is a black and white photograph depicting four children outdoors in an open field with hills in the background. The sky appears overcast, suggesting it may be early morning or late afternoon due to the soft light conditions.
In the foreground on the left side of the photo stands a girl holding up another child using her right hand; both are facing slightly towards the camera but not looking directly at it. The second child being held is wearing what seems like pajamas with a pattern, and they appear contemplative or perhaps tired as their eyes seem heavy.
To the right in the middle of the photo stands two more children side by side, also appearing to be around the same age range as the girl holding up another child on her left. They are both dressed similarly in checkered pajamas with a pattern resembling small squares and lines forming larger geometric shapes.
The overall atmosphere is somber or introspective, possibly due to their expressions and the monochrome tone of the image which adds an element of timelessness or historical context. The caption "Te Kaha, 1964" indicates that this photograph was taken in Te Kaha, a place located on New Zealand's North Island during the year mentioned.
The composition is balanced with each child standing at slightly different distances from the camera, creating depth within the frame and giving viewers an impression of their individual presence while also emphasizing [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/318/470/277/345/476/original/0614ea14f647c4be.jpeg "The image is a black and white photograph depicting four children outdoors in an open field with hills in the background. The sky appears overcast, suggesting it may be early morning or late afternoon due to the soft light conditions.
In the foreground on the left side of the photo stands a girl holding up another child using her right hand; both are facing slightly towards the camera but not looking directly at it. The second child being held is wearing what seems like pajamas with a pattern, and they appear contemplative or perhaps tired as their eyes seem heavy.
To the right in the middle of the photo stands two more children side by side, also appearing to be around the same age range as the girl holding up another child on her left. They are both dressed similarly in checkered pajamas with a pattern resembling small squares and lines forming larger geometric shapes.
The overall atmosphere is somber or introspective, possibly due to their expressions and the monochrome tone of the image which adds an element of timelessness or historical context. The caption \"Te Kaha, 1964\" indicates that this photograph was taken in Te Kaha, a place located on New Zealand's North Island during the year mentioned.
The composition is balanced with each child standing at slightly different distances from the camera, creating depth within the frame and giving viewers an impression of their individual presence while also emphasizing [...]")
Sharing a drink
View of two men - one is handing a bottle (wrapped in a brown paper bag) to the other.
#moe_tahurangi #Matapihi #Kōtuia #Alcoholicbeverages #Smoking #Coats #photographicgelatin #photographicpaper #silver #mountingboard #gelatinsilverprints #worksofart #groupportraits #Contemporary #NewZealand
Te Hapua, 1969. From: Maori Portfolio
View of a kuia (elderly woman) carrying a young child piggyback. The woman wears a scarf over her head. Fields and a fence are visible in the background.
#TeHapua #Maori #moe_tahurangi #Matapihi #Kōtuia #Women #Children #Infants #Lifting&carrying #Māori #photographicgelatin #silver #photographicpaper #mountingboard #gelatinsilverprints #worksofart #groupportraits #Contemporary #TeHāpua
Opunaki Ratana hui, Easter 1965. From: Maori Portfolio
View of a young man and woman sitting together on tiered-bench seating (like bleachers or a grandstand). The man holds a young baby. The pair are looking at each other. Other people visible in background.
#OpunakiRatanahui #moe_tahurangi #Matapihi #Kōtuia #Couples #Infants #Benches #Māori #photographicgelatin #photographicpaper #silver #gelatinsilverprints #worksofart #groupportraits #Contemporary #sitting #Ōpunake
Couple on a couch
View of a young maori couple sitting together on a couch, on a porch. The man has an impressive 'afro'.
#Maori #NewZealand #moe_tahurangi #Matapihi #Kōtuia #Couples #Sofas #Hairstyles #photographicgelatin #photographicpaper #silver #buildingboard #gelatinsilverprints #worksofart #groupportraits #Contemporary #Whanganui
