Herbert James Draper (English, 1863-1920)
The Lament for Icarus
1898
Oil on canvas (180 x 150 cm)
Tate
Draper applied liquid light effects without abandoning form and used mainly warm colours. The tanned skin of Icarus refers to his close approach to the Sun before falling down. The rays of the setting sun on distant cliffs emphasize the transience of time. Moralizing, sentimental, and sensual, The Lament for Icarus ultimately became a well-composed image of epic failure. However, somewhat surprising, Icarus has his wings fully intact, contrary to the myth where the wax melted and Icarus fell flapping his bare arms.
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