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#macintyre

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Gregory B Sadler

Here's the last of five core concept videos working through Alasdair MacIntyre's essay "How To Seem Virtuous Without Being So", this one looking at why we need something more than what our culture generally provides us to rightly understand the virtues

youtu.be/A9IDNwU0BZE
#Video #Philosophy #MacIntyre #Virtue #Ethics #Culture #Rhetoric #Education

YouTubeAlasdair MacIntyre, How To Seem Virtuous | Inadequate Shared Public Morality | Core ConceptsBy Gregory B. Sadler
Gregory B Sadler

Back to Mac! Here's the next core concept video on Alasdair MacIntyre's excellent short essay "How To Seem Virtuous Without Being So". In this one we look at why he admits to question-begging when it comes to moral theory and education

youtu.be/Sn954IZVqsg
#Video #Philosophy #MacIntyre #Ethics #Virtue #Aristotle #Hume

YouTubeAlasdair MacIntyre, How To Seem Virtuous | Aristotelian Vs Humean Moral Education | Core ConceptsBy Gregory B. Sadler
Gregory B Sadler

In "How To Seem Virtuous Without Being So", Alasdair MacIntyre identifies and explains four key questions any systematic and coherent account of the virtues has to tackle. Here's a video examining what those questions are!

youtu.be/pZhTz2i3Egs
#Video #Philosophy #MacIntyre #Ethics #Virtue #Counterfactuals #Reason #Affect #Pleasure #Transfer

YouTubeAlasdair MacIntyre, How To Seem Virtuous | Four Key Questions About Virtue | Core ConceptsBy Gregory B. Sadler
personally

MacIntyre, Bourdieu and the practice of jazz

This article offers a sociological account of the labour of jazz musicians. The first part is concerned with elaborating a theory of jazz work based on Alasdair MacIntyre's notion of social practices. Applying this theory to recent empirical work with British jazz musicians, the article reveals how the virtuous pursuit of specific ‘internal goods’ is judged to be particularly prominent in jazz, suggesting that it might constitute an ethical practice in MacIntyrean terms. While MacIntyre's theory is argued to offer a congenial framework for an analysis of jazz, it is then compared and contrasted with more established readings of jazz practice – based on the work of Pierre Bourdieu – which suggest more objective and instrumental motivations for working in jazz. The article concludes by evaluating the relative merits of each approach.

doi.org/10.1017/S0261143011000

journals.cambridge.org/abstrac

#jazz#sociology#alasdairmacintyre
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