Your art history post for today: by Sidney Goodman, Bride Profile, 1962, charcoal on paper, sheet: 28 1⁄2 x 22 1⁄2 in. (72.4 x 57.2 cm), Smithsonian American Art Museum and the Renwick Gallery, Washington, DC. #arthistory
From another institution, the Woodmere Art Museum, Philadelphia: ‘Goodman was one of the most respected figurative artists in America. He participated in and helped shape the return to figuration and realism that occurred in the 1960s. Not one to skirt issues, Goodman’s work tackled heavy concepts. His artistic career started within expressionism and conveying angst within the human condition, then transitioned towards realistic work, and eventually steered towards expressionistic work once more, toward allegory. Goodman explained that his works take on two primary concepts, "One is about shades of ambiguity and clarity. The other is about richness of light and color. The physical and spiritual realms of human experience merge through the forms of light and darkness. The sense of continuity from youth to old age is reflected by a preoccupation with global events. A concurrent theme is the everyday, the routine, the beauty of the commonplace."’