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#digipres

17 posts13 participants0 posts today

Today's done #dp3 are
1. #iPRES2025 Attendee Experience Committee meeting. We're making progress! (Let me know if you're keen to help)
2. Planned a brainstorming session for a proposal for a #iPRES2025 panel discussion on #DigiPres challenges and opportunities in the Asia-Pacific and Australasia region, with a focus on pragmatic digital preservation.
3. Compare two spreadsheets using Excel Power Query. Hoping to build a repeatable workflow.

Thought some of the other #digipres nerds might be amused by this sign as well.

Image description (from another user): a photograph at a recent Hands Off protest. city setting, with some scaffolding on a nearby sidewalk. some faces are partially visible. a cardboard protest sign reads, "Hands off working COBOL code"
From: @krypt3ia
infosec.exchange/@krypt3ia/114

Infosec ExchangeKrypt3ia (@krypt3ia@infosec.exchange)Attached: 1 image

🎉 Exciting news! We're thrilled to welcome the Council of Prairie and Pacific University Libraries (COPPUL) to the DPC as our newest Associate Member! Through their Digital Stewardship Network, COPPUL has shown incredible dedication to digital preservation across Manitoba, Saskatchewan, Alberta and British Columbia.
➡️ dpconline.org/news/new-members #DigitalPreservation #Coalition #DPC #Digipres #Community #JoinUs

48 vs 96 kHz for audio preservation?

I would still opt for 48kHz/24bit as perfectly sufficient.

In case of noisy/low-fi sources (Shellack, wax-cylinders, etc) one may choose 96kHz to have headroom for restoration.

Other than that, to capture regular-quality audio: Anyone got a good reason to go >48kHz? 🤔

Mentioned just now in one of the #BDCAM25 Lightning talks: the @dpc_chat’s Rapid Assessment Model (#DPCRAM), a #DigitalPreservation maturity modelling tool that has been designed to enable rapid benchmarking of an organization’s #DigiPres capability & facilitate continuous improvement over time dpconline.org/digipres/impleme

www.dpconline.orgRapid Assessment Model (DPC RAM) - Digital Preservation Coalition

The Xiph.Org Foundation has for many years hosted a collection of #lossless audio and video test clips to support the compression research community.

Unfortunately, that server may be going away soon. I'm looking at various options to keep the data online, but I wondered if it would be appropriate to upload a copy to @internetarchive The current collection is around 20 TB.

If so, what would be a good format? For clips originating in yuv, ffv1 or lossless vp9 compression is probably a good choice. (Uncompressed is usually best for benchmarking, but people can extract on their own.) Downloading multi-GB files is easier than it used to be. However, the highest quality for some clips are directories of png, tiff, or exr files. Not sure what to do with those. Tar them up? Will archive.org fall over if I upload 20,000 files as part of the same object?