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#musiciansday

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I woke this morning with a light heart and tranquil mind. It’s so good to be playing and creating again. #music #musician #MusiciansDay #FediMusic #MastoMusic substack.com/profile/118813522

SubstackSimon Campbell on SubstackI woke this morning with a light heart and tranquil mind. It’s so good to be playing and creating again. Thursdays are great as this when we hold our regular Vibrationists rehearsal—the new live music and multimedia project with @Suzy Starlite, @Dave Boyd and myself. Dave normally arrives at the Supertone Sonic Laboratory around noon and after setting up, we normally kick off playing the trickiest stuff from our ever-expanding set list. It’s very interesting as we are reimagining our existing material for the three-piece format incorporating new instrumentation. Yesterday saw the first appearance of Dave’s BOSS monster looper pedal which really made a great contribution to the soundscape. Starlite is also really pushing the boundaries of her pedalboard and is making some very cool noises. We always have a relaxed lunch which is a great time to discuss in words what we don’t say in the music. Yesterday was Starlite's special salad with Halloumi and my version of tabbouli. As ever I am wrestling with the number of instruments I need to deliver a smooth live performance. Currently, the Springer Firehawk, Fender Nocaster and Gretsch G6120-1960 Nashville electrics will be making an appearance plus the Collings D2H and Fylde custom 6 and 12 strings acoustics. That’s six fucking guitars and I may need more. The big issue I have is during the set I use five-six tunings, ranging from a very interesting Csus right through to standard. Guitars don’t like to be quickly pulled all the way up from C and back down again—especially in this climate which plays havoc with acoustic instruments—so it’s best if you have dedicated guitars for dedicated tunings. It wouldn’t be so bad if we could program the songs that would best suit the tunings, but live sets don’t work that way as the song order is paramount to a successful gig. All I can say, it’s a good job we have the mighty Van Of Rock. ////// We have been gradually adding stuff to our website and now have a good summary of what we are all about - take a look. ////// Warning | guitar porn. The picture below was taken by Michael Springer at his workshop before I took delivery of this great Firehawk. Wonderful instrument.

I missed #MusiciansDay - so a day late here is my new release called "Painkiller".

The basics of this track were recorded from my hospital bed while recovering from major surgery. At the time I was on a cocktail of painkillers - hence the title. The track reflects my mental state at the time, coming in and out of consciousness.

There is one major theme that runs through the track - I couldn't get this out of my head - but it's fed through a variety of effects and distortion.

I had to do some mastering on the track as it was a bit of a sonic mess but hey what do you expect being high on painkillers?

What you hear is an OPZ providing the base track and Glo providing all the effects and distortion, recorded onto a Zoom H1 recorder - as I said all from the hospital bed.

Links to Bandcamp and Soundcloud are here (as well as streaming sites):

samantha-j-smith.kit.com/landi

There is also an accompanying video on MakerTube and YouTube (see links)

#experimentalmusic
#electronicmusic
@experimentalmusic
@electronicmusic

Hello #MusiciansDay! We are Ascendency, an alternative metal/post-hardcore band from Germany, founded in 2009.

SUNDOWN
🎧 song.link/Ascendency-SUNDOWN

Doom Crows
🎧 song.link/Ascendency-Doom-Crow

Still Alive
🎧 song.link/Ascendency-Still-Ali

You can find us on most social media platforms and music apps, including Bandcamp. 🤘 For more info and whereabouts, check out our website: ascendency.band

Sup, I'm Kai.
I make music inspired mainly by the things I love.
What are those, you ask?
It's mainly VGM (Video Game Music), Rhythm Game music, and other high paced, complex genres, such as IDM and most of the "-core" genres.
I do mainly make to learn, though, so I'm always experimenting and trying new things! (i just made a microtonal track recently :WOWZA: )
Here's some of my most polished stuff as of late!

on.soundcloud.com/2TwDFyxnAopS
on.soundcloud.com/KnnV6NPBVcGa

I can be found here, on my soundcloud ( soundcloud.com/kaiiak04 ) or at my spotify! ( open.spotify.com/artist/4pVZwS )

(and yes, this is an amongus song. No, I don't take my content too seriously at the moment. It isn't a job for me yet so why not have some fun?)

00:00/02:45

Today is #MusiciansDay :mastodance:

A brief #introduction : I am a composer and improviser whose instruments are the piano and the computer. My work has been described as "a hyper-productive, dizzying panoply of music" by Positionen, a music journal based in Berlin.

Listen to my last piano piece here youtube.com/watch?v=OkHcmT-kbZ

… or visit the Discography
gavart.ist/#Discography

I am a proponent of self-releasing, and maintain profiles across various platforms.

Turns out I joined fedi at a convenient time because today is #MusiciansDay

I make #experimental #soundscapes. And up to this point, nobody outside of a few close friends have heard any of it. It would mean a lot to me if you'd check it out.

ringagentumbra.bandcamp.com

Headphones / a good stereo is HIGHLY recommended. The stereo field is really important to my music.

There's two songs up at the moment. But I've got a third that is almost finished. Follow me for updates on that release!

Happy #MusiciansDay! (yeah I missed it here in Oz but it's still the 27th elsewhere on the globe). I make #psychedelic, #ambient, #analogue #electronic and otherwise #weird #music, some of which I have placed delicately and with loving care upon the undulating digital waves of the information stuporhighway - aka my #Faircamp site, here -

https://tryptophonic.com

An example thereof, by way of an audiovisual manifestation, aka a film clip, can be seen on my #Peertube here -

https://video.tryptophonic.com/w/2yifDavJLYabPGZU2euQGX

tryptophonic.comTryptophonic RecordsTryptophonic Records

Apparently today is #MusiciansDay? That's cool.

If you'd like an #introduction to my music, here's my most popular song. :)

I tend toward retro-tinged #folkMusic, but my tastes are eclectic, and I hope it shows. Themes of #MentalHealth, #politics, and #spirituality come up often in my songs.

I love connecting with other #queer, #trans, #disabled, and otherwise kind folks here, so please reach out!

arendleejessurun.bandcamp.com/

Ok, here's my #MusiciansDay pitch:

I make electronic music, but do try at times to give it a human touch (despite my appearance 🤖 )

Sometimes I dabble in making #DAWless music. This video gives you a good idea what that is like:

v.basspistol.org/w/jszVbAjYtDp

To check out my DAWless and my awfully DAWful music, head to my #Faircamp at faircamp.axwax.eu

#MusiciansDay :globe:

If you like your oontz a bit darker here is heaps of #industrial, ebm, powernoise, #synth, #dance, techno, dnb, house, noise, soundscapes, various dystopian bangers and noisier horrors. Most of my releases under various monikers from the past few decades and a few sound and loop libraries too.

music.control.org

Dig around there should be something tolerable.

Take what you'd like in #solidarity. If you have the means, a donation is very helpful and well received.

control freak studio
control freak studio / control.orgcontrol freak studio / control.org dark disko, ebm, industrial, synth, powernoise, synthpop, tech, house, noisescapes, dystopia, horror, commissions, sound design, game assets, installation sounds, noises, remixes