techhub.social is one of the many independent Mastodon servers you can use to participate in the fediverse.
A hub primarily for passionate technologists, but everyone is welcome

Administered by:

Server stats:

4.8K
active users

#blackart

1 post1 participant0 posts today

Your art post for today: by Jonathan Green (b. 1955), “The Wedding,” oil on Masonite, 47 1/2 x 47 1/2 in, photo: Leland Little Auctions. #blackart #blackartists #blackartist #oilpainting

From the website: “Jonathan Green is a renowned American painter celebrated for his vivid, dynamic depictions of Gullah culture in the coastal regions of South Carolina. Born in Gardens Corner, South Carolina, Green was raised in the Gullah community, a group of African Americans known for preserving their West African heritage through language, crafts, and traditions. His art, characterized by bold colors, rhythmic compositions, and an expressive, figurative style, reflects the daily lives, rituals, and landscapes of the Gullah people. Green studied at the School of the Art Institute of Chicago, where he honed his artistic skills while remaining deeply connected to his cultural roots. His work bridges the past and present, capturing the resilience and beauty of Gullah traditions in a rapidly changing world.”

Your art history post for today: by African-American artist Hughie Lee-Smith (1915-1999), The Watcher, oil on canvas, 26 by 34 in. (66.0 by 86.4 cm.), photo: Sotheby’s New York, 16 July 2024. #arthistory #blackart #blackartist

From the website: “One of the most notable aspects about Lee-Smith’s paintings is his use of linear perspective to create convincing depth within the picture plane, evidenced by the concrete structures in The Watcher. Lee-Smith’s use of perspective coupled with the dramatic lighting within the present painting give the illusion that the canvas is a window into an unreachable world, as if the viewer could walk through it and join the subject on the ledge.”

More of y'all need to pay attention to the us. The youth of Africa are literally the core hope for ALL our futures. I know so many artists making waves, with many ignoring the tide.

Like check out this absolute popstar (and friend hehe):

youtu.be/zcwUDxUYtDc?si=qn5K_B

New Black History.

youtu.be- YouTubeEnjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

Today’s the day: #KaaboClay’s biggest fundraiser sale of the year! On this anniversary of George Floyd’s unjust death, we commemorate the tragic event that sparked a movement. This is an opportunity to show that we are unwavering in our commitment to diversity, equity and inclusion in all realms of life, including the arts. See my past posts for more info on who we are and why we exist. Shop our sale here: www.kaaboclay.org/shop (US only). #pottery #ceramics #BlackArt #DEI #BLM

Your art history post for today: by African American artist Barkley L. Hendricks (1945–2017), “Photo Bloke,” 2016, oil and acrylic on linen, 72 x 48 in., private collection. #arthistory #art #blackart #blackartist #blackartists

From Imani Wiliford, “The Iconoclastic Vision of Barkley L. Hendricks, Hyperallergic, February 11, 2025: ‘“I paint and make art because I like doing it,” the late Barkley L. Hendricks told this magazine in 2016, on occasion of his second solo show at Jack Shainman Gallery. “The subject matter I’m involved with, though, has always been seen as suspect, given the screwed-up culture we live in…. How many white artists get asked about how their whiteness plays into their work?”’

And another quote from the artist, from “BARKLEY L. HENDRICKS with Laila Pedro,” by Andrea Fraser with Thyrza Nichols Goodeve, The Brooklyn Rail, April 2016: “The art of painting is not only about putting paint down. I like to use the texture of the canvas as a vehicle to get the illusion that I’m interested in. People have always connected me with a political situation. I’m more about illusion. When you look at one of my paintings, you’ll see that there are glasses, or a shirt that looks like wool. I want that to be something that resonates with you first, rather than you trying to be connected with the unfortunate situation people of color face. There’s a script that’s been written, whether we like it or not. We’re all a part of it. What needs to happen is for artists to get up and get out of that headlock scenario—out of that script that’s been written that you had no control over.”

Seasonal allergies are getting worse, but newer medications could offer relief
Experts say the roughly one in five Canadians who experience respiratory allergies aren't imagining things. Seasonal allergies are getting worse. Thankfully, newer medications and treatments, including allergy tablets that dissolve under the tongue, are offering seasonal su...
#health #medicine #allergies #Radio #WhiteCoat #BlackArt
cbc.ca/radio/whitecoat/seasona

Seasonal allergies are getting worse, but newer medications could offer relief
Experts say the roughly one in five Canadians who experience respiratory allergies aren't imagining things. Seasonal allergies are getting worse. Thankfully, newer medications and treatments, including allergy tablets that dissolve under the tongue, are offering seasonal su...
#health #medicine #allergies #Radio #WhiteCoat #BlackArt
cbc.ca/radio/whitecoat/seasona

Your art history post for today: Girl in Pink Dress, ca. 1927, by African-American artist Laura Wheeler Waring (1887-1948), oil on canvas, 36 ¼ x 26 ¼ x 2 ¼ in, private collection. #arthistory #blackart #blackartists #womenartists #womanartist #womensart

From Elizabeth Lovsin in School Library Journal, Feb 01, 2020, her a review of the book “Beautiful Shades of Brown: The Art of Laura Wheeler Waring,” by Nancy Churnin, illustrated by Felicia Marshall: “Laura Wheeler Waring (1887–1948) combined colors to create the exact shades of brown that depicted the skin tones of the loved ones she painted. Artistic representation during the time period Waring came of age was far from inclusive. Portraits of African Americans and artwork created by black artists were not welcomed into museums. Waring pursued her passion and was eventually commissioned to paint important African American people for a traveling exhibit that displayed her art in the Smithsonian and other museums. This biography succeeds by keeping its focus on Waring’s artistic journey. When discussing her portrait of singer Marian Anderson, Churnin forms an emotional link between these two women and spotlights the potential for their work to break barriers. The straightforward narrative allows young readers to connect with Waring as a person, recognize her dedication to her craft, and appreciate her accomplishments. The recurring theme of brown as a complex and beautiful color is an effective metaphor for the celebration of African American people and culture central to Waring’s work. Marshall’s painted illustrations are an artistic tribute rendered in the style of Waring’s paintings.”

"So my work is always trying to celebrate the achievement of Africans and the contribution that Africans have made – not just in Africa, just through world culture generally. Some might call it, you know, 'deconstructing the canon'. But I think it's important that all of our voices can be heard and registered."

Yinka Shonibare’s debut African solo show highlights hybrid nature of identity

rfi.fr/en/africa/20250420-arti

RFI · Yinka Shonibare’s debut African solo show highlights hybrid nature of identityBy RFI