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#linuxaudio

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Too Much Music Podcast – Linux in your Music Studio

Listen or watch below, or follow wherever you get your podcasts!

In this episode, our fearless hosts trace the evolution of digital audio tools from these academic, computationally intensive origins—where concepts like granular synthesis were offline processes—to the real-time, interactive software common today. The

alisonwilder.com/too-much-musi

When I use something like an external hard drive or CD-ROM, I have a stable connection whatever I do, moving the computer etc. However, with my external audio interface, only a slight touch to the USB plug causes an abrupt end of connection and the need to reconnect.

Can anybody tell me the connection is so much more fragile in this case?

I bought a returned Bitwig Connect audio interface at a discounted price and I'm impressed. I mean, the device is great, and also...

How nice it is to have a piece of music hardware that officially supports Linux, that offers a software control panel application that runs natively on Linux, that integrates deeply and out of the box with my DAW on Linux. Oh, and with a manual covering Linux details. 🐧

bitwig.com/connect/

www.bitwig.comBitwig Connect | BitwigIntroducing Bitwig Connect 4/12: More Than An Audio Interface.

Long live Linux audio!

So I've finally set myself up to be living my best 100% Linux life. That's right: the last Microsoft account has been signed into in this house. Goodbye Xbox, goodbye Windows. Good riddance.

These two devices are the last ones I'll probably ever have that require me to sign in to a Microsoft account. Or surveil me while I'm just trying to write in a text file.

And helloo

alisonwilder.com/long-live-lin

I am thrilled to share that a new #linuxaudio #plugin #developer #interview is up at linuxaudio.dev/linux-audio-dev. 🤓
This time, I had the pleasure to talk to Guillaume Piolat EI from Auburn Sounds, an intriguing vendor of creative audio effect plugins.
As I learned in the interview, Auburn Sounds use their own framework called Dplug, to develop their plugins.

PD: You can find an overview of all the interviews I did so far at linuxaudio.dev/linux-audio-dev.

This year's #linuxaudio conference in Lyon was hot (literally 36+ degC). A personal highlight was Fons Adriensen's presentation on Tape Emulation. I learned how tape heads work in detail.

Many thanks to Romain Michon and team for organizing this event.

Recordings of the sessions are available at youtube.com/@gramecncm

It was fun to meet old friends and make some new ones. It was also exciting to have the scientific presentations in a hall named after a hero:

Dear #linuxmusician (s), welcome to Linux Audio Plugin Development! 😎

If you haven't read the #linuxaudio #plugin #developer #interview (s) with the lovely folks from ACMT, @audiothing, Audio Assault, Inphonik, Kazrog, Linux Studio Plugins, RV Audio Design, Sinevibes, Sinuslabs, Sononym or TAL Software, feel free to take a look here: linuxaudio.dev/linux-audio-dev

PD: More interviews with Audio Damage, @uheplugins, Auburn Sounds and Klangfreund are in the making. 🤓

linuxaudio.devLinux Audio Developer's Spotlight | Linux Audio Plugin Development (LAPD)LAPD aims to make Linux more attractive as a platform for computer-based music production.
Continued thread

Can't wait for Zita-AT2 to come out! The demos were just very impressive. Fons used Will Godfrey's isolated voice from one of his songs and ran it through Zita-AT2 to showcase its possibilities. For this version Fons used a completely different approach because he wanted to release a version that maintains formants.

youtu.be/jOhiVQ-RCWA?t=5163

Let's see if I can find the original score somewhere.

youtu.be- YouTubeEnjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.